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Friday, 29 May 2009

FIGS


In keeping with the Majestic Figs a.k.a, Ficus Tree’s burgeoning prevalence as a prized Bonsai, Avadh Bonsai Association’s, President, Mrs. Santosh Arora, & Chief Advisor, Mr. K.K. Arora, prepared and presented, a well-documented Slide Show pertaining to Ficus. It was based on Mr and Mrs Arora’s, three decades of ‘hands-on’ personal working experience in the field of Bonsai, coupled with extensive reference from eminent Bonsai Artist Jerry Meislik’s Book, ‘Ficus – The Exotic Bonsai’.

This interactive meeting / presentation exclusively for ABA members only; was held on Saturday, 16th May, 2009 at a Senior Member Dr. Saroj Malhotra’s spacious and plush Office Premises, where she had beautifully showcased some of her Bonsai plants complimenting the décor appreciatively.

The occasion also saw polite and soft spoken Mr. K.K. Arora, effortlessly step into AUNTY, Mrs. Arora’s ‘mighty-high’ shoes as he shared valuable insights, referrals, information and points to consider whilst training-maintaining, growing-nurturing and working with Ficus Trees.

He stated that no other plant genus offers such diversity in terms of variety as a Ficus does. This group has about 800 different species commonly found in nature, of which some 20 – 25 varieties were extremely popular amongst the Bonsai Fraternity in India. To name a few….…Ficus benjamina, F. salisifolia, F. retusa, F. nuda, F. macrophylla, F. nerifolia, F. panda, F. macrocarpa, F glomerata, Ficus natalensis, F. rubiginosa, F. virens, F. compacta, F.capensis, F.hispida, F.long island, et al

Additionally, FIG Trees gaining popularity as a Bonsai was also attributed to its ready availability & easy maintenance; its dense twigging pattern and vigorous growth; its inherent tolerance to great variation in climatic changes, hot / dry air conditions and also atmospheric humidity.

Ficus as group can readily be identified based on a sticky substance called the SAP or the LATEX which oozes out from the bark of the plant. These plants also have remarkably distinct AERIAL ROOTS which instantaneously differentiate them from other plants. They bear small to large berry like fruits in varying colors like green, yellow or even red, popularly referred to as FIGS, hence the name…. FIG TREES.

The V. President, Mrs Benu Kalsi, further elaborated and enlightened all in the audience, that this so-called ‘Fruit’ or FIG is basically the Flower of the Ficus Tree i.e. it’s an INFLORESCENCE formed by joining together multiple teeny-tiny flowers.

Placement of Ficus Bonsai:
Mr. Arora stated that Ficus trees were quite adaptive and so could be kept both outdoors and indoors, with little care.

They were especially suitable as indoors plants as they helped enhance the ambiance of both Residential & Official Premises, because of their evergreen striking visual appeal. However, these plants needed considerable aeration and so when kept indoors; they should ideally be placed in well-ventilated rooms only.

He explained that more fruiting was directly proportional to more lighting, so the plants should also be intermittently exposed to the fresh air and natural sunlight outdoors.

Drainage and Potting

Ficus trees usually posses well disposed spread of surface roots, aerial roots which add considerably to the aesthetic beauty of these plants, and most importantly nourish the plant, making them flourishing and sturdy growers throughout the year.

By way of observation, he specified that these plants did not like saline and hard water and so require a soil mixture which has good porosity vis-à-vis good drainage. They seem to like humid atmosphere and moderate winter conditions didn’t pose much problems for them in general.

Repotting
The best time to pot / repot was during the spring (February-March) and during monsoons (July-August).

Younger trees need regular and frequent….yearly repotting, while, mature and older trees, could be repotted every once in a while, as and when needed… i.e. when the soil mixture became too fine and hindered in good drainage or with accumulation of toxins in the soil over a prolonged period of time etc.

After repotting, the plants should always be kept indoors / under the shade, away from direct sunlight for a while. Care should be taken so as not to fertilize the plants, immediately after repotting them.

Trimming and Complete De-foliation
Trimming, pruning the Ficus can be carried out through out the year, more specifically at the onset of the dormant or slow growing season i.e. Winters or specially before showcasing the Bonsai for an important Exhibition. At other times the plants can be allowed to grow vigorously so that they derive maximum benefits from photosynthesis.

Most importantly, these plants can withstand complete defoliation, wherein all the leaves are cut leaving behind only the leaf stubble i.e. the PETIOLE. As an added advantage, the new leaves which are formed, subsequent to defoliation are considerably smaller in size.

Problems Encountered
Though easy to maintain, Ficus does have its own share of problems like curling of the leaves or their turning black, brown edging, or even yellowing of leaves and later falling off on their own accord.

Yellowing of leaves is often caused due to low Nitrogen contents and adding Urea or NPK with higher concentration of Nitrogen proved beneficial.

Senior Member, Mrs. Padma Singh suggested and shared her ‘tried and tested’ remedy exclusively to counter sudden yellowing of leaves, which regained its colour and vitality, when ½ tbs of Zinc Powder dissolved in about 1 L of water, was used on such plants.

Fusion Technique
Mr Arora also added that the uniqueness of Ficus was ascribed to its inherent Fusing Nature, wherein multiple individual trunks could readily be joined i.e. FUSED together, over a period of time, to give the appearance of one single trunk.

Moreover, individual young and tender Ficus plants having remarkably flexible trunks could gently be braided together, also giving an appearance of a conjoint yet braided trunk with a single Canopy at the top.

Conclusion
Having imparted, exchanged, discussed, beneficial information and personal experience on a concluding note Mr. and Mrs. Arora said that Ficus Trees were incidentally, also one of their personal favorites. These plants were indeed a pleasure to work with, as they readily and positively responded to trimming & shaping, effectively molding & adapting themselves as per the Artist vivid design imagination, befitting of a Bonsai.

PS: As Presented by Santosh Arora and K.K. Arora, ABA, Lko

Friday, 22 May 2009

Mast Mangoes

The Mango Trees right in the centre of the Garden
forming a Single Umbrella Canopy
A Bunchful of Mangoes
From EverGreen Tree
Awesome Foursome!
Twinkling Twins!
From EverGreen Tree
Now... thats ME....
Trying to hand pluck a Mango straight from the tree .....

Intend preparing some cool n fresh Summer-y
Mango Chutney's n Pickle's with this one!

Friday, 15 May 2009

When the Wind Blows...


When the wind blows....from Indonesia to India, it rustles, resonates and whispers the arrival of Robert Steven, a specialist, at designing the Windswept Style of Bonsai, amidst the cultural opulence & architectural grandeur of the City of Nawabs.

Robert, who is an internationally acclaimed bonsai master, was in the city recently to share his immense reservoir of knowledge & invaluable experience, with members of Avadh Bonsai Association, Lucknow.

Avadh Bonsai Association, as you already know, is a non commercial organization, actively engaged in the cause of spreading the art of BONSAI, aptly called ‘Nature in Miniature’ since the last eight years. It has been imparting basic & advanced training to students, interested in learning the nitty gritty of this creative art form. Most importantly, it also partakes equipping them with know-how’s for the systematic upkeep and maintenance of their prized bonsai through various classes, workshops, national and international bonsai magazine subscriptions and regular technical Audio-Visual presentations.

The association’s ever-augmenting learning & growth flame is kept, eternally ignited by the dynamic leadership & ceaseless efforts of the Group President, Mrs. Santosh Arora & dedicated team of committee members. Under her able guidance, in addition to hosting exhibitions every two years & encouraging member participation in National & International Bonsai Conventions, Photo Competitions, the group, continuously strives to stay abreast with the latest in bonsai techniques. The group, had therefore, invited prominent Bonsai Masters Jyoti & Nikunj Parekh, from Mumbai & provided its members with a world class opportunity to learn and enhance their knowledge of the subject.

Under the aegis of Sahara India Parivar, as part of this year’s marked agenda, the association had the honor to invite Mr. Robert Steven – ‘the Architect of a Green World in Miniature’ for conducting an interactive teaching, demonstration, workshop & critique session for all participating members, from 7thSept to 9th Sept, 2008.

Winner of various prestigious international awards & also author of a very informative book on Bonsai ‘VISION OF MY SOUL’, this multifaceted master, enthralled the audience, with his simple, straight forward, glib talk, mimicry & unique style of teaching.

Now, he is no ordinary bonsai master; rather he presided over the three day workshop as one ‘hard task’ master, who does not believe in any pleasantries, any compromises or any mincing of words when it comes to teaching & communicating his ideology about Bonsai. His energy, flair & passion for bonsai comes across as no surprise, as he connected, holding his audience captive and spell bound, even as he reprimanded, criticized and pointed out lacunae, during the endless Critique sessions.

At the same time, he inspired, motivated all, as he repeatedly beseeched & requested the students to understand the basic plant morphology & physiology, before attempting to stylize the ordinary garden plant into a thematic Bonsai, conveying a message. He implored to bring about a paradigm shift, in pursuing Bonsai, not merely as a part time hobby, but as a serious way of Life.

The master during his opening address categorically stated that a Good Bonsai Tree should be able to speak for itself. Rather, the tree should narrate its own story, reflecting the environmental factors & conditions which gradually lead to its miniaturized shape. It should aesthetically mimic a full fledged tree of the same species, commonly found outdoors. The foliage should ideally be compact, to give appearance of age & maturity. The plant should be structured in such a way, that it accentuates the dynamics, the motion, and the natural flow of the tree. While, considerable emphasis should be laid on its branching pattern & their overall ramification.

In the master’s words the Tree too portrays a Personality, a disposition, as they appear cheerful, sad, happy, sentimental, aggressive or even romantic. Each tree has a character, a focal point of interest, which should be highlighted. He explained how to work with the line, the shape, the colour and texture of the tree, and integrating them all together, to achieve an overall artistic, balanced look. Most importantly, he infused, that care should be taken to maintain an overall dignified simplicity of its design/style.

He explicitly expressed an observation, that in nature, it is characteristic of the roots to grow towards the source of water, while the branching pattern too merely tends to follow the direction of the root. However, depicting the same in an indigenous Bonsai is a quite a challenge for any bonsai artist.

The theoretical lessons, discussions and Question Answer sessions were interspersed with spur-of-the-moment demonstrations, where he showcased his expertise working on assorted variety of plants ranging from Casurina’s to Ficus, Witex, Jaquinia, Bougainvillea, Rain tree & cascading style Juniper, belonging to the select members.

As an impromptu gesture he restyled a Suihan Penjing (Land-Water Landscape), giving it his own personal touch, by placing the main tree and the main rock at an off centre position, as the main focal point. With uneven placement of flat rocks, erect rocks, and smaller trees bending over the rivulet, forming a groove, he gave this asymmetrical creation, a lot of contouring, variation, depth and mystery.

In the same vain, he skillfully re-arranged a Forest grouping of multi-trunk Ficus trees, by deftly separating out the individual trunks, into many single trees in varying sizes. Later he planted them all back together, after defoliating them completely, to form an asymmetrical, natural forest arrangement, bereft of leaves, depicting autumn.

During a special workshop session, he solicited few students to come forth and work on their respective plants while he observed & diligently guided them with considerable ease and panache. To name a few, KK Arora, Madhuri Halwasia, Nita Singh, Anita Narrain, Gunjan Banga, Usha Singh promptly accepted the challenge and set to put his teachings at test, while stylizing their respective plants into ‘Robert’s Style’ Bonsai. The master seemed visibly impressed and content with the enthusiastic audience participation & overall results. At the close of the workshop, each member was duly awarded a ‘Certificate of Participation’ for the same.

Robert Steven, convincingly preaches and demonstrates what he staunchly believes in; as he advocates to ‘Thinking, out of the Box’, although at the same time, he cautions, that ‘Unique’ does not always mean beautiful, yet one needs to explore all possibilities with regards to shaping of the plant, optimizing on its best quality. Rigidly following, the Bonsai rule books word by word and/or bending them as and when needed, while molding the plant, based on the tree’s innate motion / dynamics, seems to be the mantra propagated by him. After all, ‘Rules’ or ‘No Rules’; both are ‘Two sides of the same Coin’, employed effectively to create an aesthetically beautiful Green Art Form of BONSAI.

Last but not the least; this ‘master-blaster’ teacher graciously agreed to share with us his expertise in designing his prima-nova ‘Windswept Style’ Bonsai. Sighting an example of a car in Motion, he explained the concept of Anti-Gravity / Anti-Balance. Later, he playfully mimicked, as if he himself were in motion, whilst running and asked the photographer to click his snap ‘IN MOTION’. With that, he went on to explain the varied effect of a strong wind, a gentle wind, the effect of a continuous blowing wind on each branches, each twig of tree. He demonstrated the same by completing defoliating a Fig Tree, shaping & wiring its individual branches & then giving them each a wind blown effect. The mesmerizing result undoubtedly appealed to all senses, as it looked alluring, like a MOTION PICTURE of a Tree, portraying the effect of ‘When the Wind Blows...’

PS: Copy of my write-up which was published in BCI’s Ambassador Mail, Dec 2008 and an abridged version of the same published in Nichin Bonsai 032008.

Monday, 4 May 2009

Paper Flowers


These commonly found delicate Bougainvillea flowers are crisp-y paper-like and hence are popularly known as the "Paper Flowers".
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Originally from tropical America, the Bougainvillea is named after the French navigator de Bougainville. Actually, the flowers are bracts of leaves at the tip of the stems that turn brilliant pink in color. Also found in tones of purple, lavender, carmine, scarlet, red, pink, orange, yellow and white.
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Bougainvillea in nature:
Climbing HIGH…. ......Climbing TALL!
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Bougain as As a Flowerimg Bonsai……
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There are a number of different types of bonsai trees available, but the bougainvillea bonsai is a popular flowering houseplant & considered the one with the most differential character, as it is it is a climbing plant, which can grow to be as large as four meters.
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Taking Care of a Bougainvillea Bonsai
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Lighting: This type of bonsai likes to be in full and direct sunlight; however like all bonsais you must be careful to not let the sun burn the rather delicate leaves of the plant.

Watering: The bougainvillea bonsai likes it dry for the most part, in that it only needs to be watered sparingly. However, during the flowering period, the bonsai will require an increased amount of water

Temperatures: This type of bonsai should be kept at a temperature of 49 to 54 degrees Fahrenheit if possible, and never below 45 degrees. The bougainvillea is an evergreen species, which means that in colder climates it will become deciduous.

Repotting: Every two to four years, with the best time to do so being in spring, before new growth.

Bougain Flowers: Single and double forms are available, with the double forms tending to carry their blooms near the end of the stems, rather than distributing them evenly over the plant. Bonsai’s flower most heavily in winter and early spring, with a few that will put forth scattered clusters all year round.
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** Here’s another shot of a Flowering Torch Glow Bougain in bloom
Reference: Internet Sources